Have you ever wondered how a civilization can tell its story through carved stones, graceful dances, or hand-woven scarves? Khmer art is all of these things at once: a mixture of stories, beliefs and know-how that continues to live on in Cambodia, but also in formerly Khmer lands, such as Thailand, Laos, Vietnam, Myanmar or Malaysia. This heritage is the soul of a people who built a powerful empire between the ninth and fifteenth centuries.
Written by Anh TRUONG (local expert)
Updated on Jul 17, 2025
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Anh Truong, originally from Vietnam, spent several years studying in US before setting off on an exciting journey of discovery across Southeast Asia. With a deep love for the region, he has traveled through Vietnam, Laos, Cambodia, Thailand, Bali, Sri Lanka, and beyond. He’s especially passionate about authentic experiences, connecting with locals to better understand their customs, beliefs, and way of life.
Through his travels, Tianne shares his expertise and insights, helping others uncover hidden gems and gain a deeper appreciation of Southeast Asia.
He writes regularly for the Kampá Tour website. Feel free to ask questions or leave comments below his articles - Anh will be happy to respond!
Of course, a blog post can't tell everything about this cultural richness. But, with our eye as travel enthusiasts, we have gathered our observations, travelers' feedback and anecdotes from local guides to offer you a clear and authentic overview, with tips to explore Cambodia like a truly curious person.
The Roots of Khmer Art
Envision yourself in the heart of the jungle, in front of Angkor Wat, a temple of such grandeur that it rivals the most magnificent monuments in the world. It was in this former capital of the Khmer Empire that Khmer art reached its peak between the ninth and fifteenth centuries. Under the reign of rulers such as Suryavarman II or Jayavarman VII, art was of far greater significance than mere decoration: it was used to magnify deities, monarchs, and religious beliefs.
The essence of this art was shaped by Hinduism and Buddhism, enriched by Javanese and Chinese influences that gave it a singular dimension.
Suryavarman II, Khmer king from 1113 to 1150, built Angkor Wat, his state temple dedicated to Vishnu.
A masterpiece of classical Khmer art, it remains the most emblematic of the royal monuments.
Temples: Cosmic Masterpieces
Khmer temples such as Angkor Wat, Preah Vihear, Sambor Prei Kuk, as well as lesser-known sites like Samrong Sen and Anlong Phdao, go beyond their simple architectural function. They embody a vision of the cosmos:
Angkor Wat represents Mount Meru, the sacred mountain of the Hindu gods.
The central towers symbolize the celestial peaks.
The inner courtyards are reminiscent of mountain ranges.
The moat represents the immensity of the cosmic ocean
Preah Vihear
The vast access roads, such as that of Angkor Wat, lead pilgrims to the heart of the sacred. The materials used show great mastery:
Sandstone for refined sculptures,
Laterite for massive structures,
Precious wood, now gone, for the decorative elements.
Some temples, such as Banteay Srei (rediscovered in 1914), captivate with their pink sandstone details. Others, like Laang San, are still sleeping in the jungle, away from the crowds.
Banteay Srei, charms with its pink stoneware details.
The bas-reliefs of Angkor Wat tell epic tales from the Ramayana and the Mahabharata, where gods and demons clash in scenes of striking precision:
The scene of the churning of the sea of milk, a quest for immortality, fascinates with its sculptural dynamism.
The Apsaras, celestial dancers with enigmatic smiles, seem to float on the walls.
The Devatas, divine guardians, keep watch in silence.
In Bayon, the 216 monumental faces embodying Buddha or the king make up the famous "Khmer smile", a soothing and timeless look.
The walls of Angkor still murmur the graceful footsteps of the Apsaras
Travel Tips:
Visit Angkor Wat at dawn to see the bas-reliefs under a golden light.
For an off-the-beaten-path adventure, explore cliff-top Preah Vihear or Banteay Srei, away from the crowds.
Rent a bike to discover Ta Prohm, where tree roots kiss stones.
An interaction between nature and architecture
Sculptures and frescoes
Khmer sculptures are not simple decorations: they embody gods, kings and myths. At Angkor Wat, you will find naga (mythical snakes), lions or statues of -1st Buddha added over the centuries. In Bayon, the towers bear the four faces of the Bodhisattva Avalokiteśvara, a universal symbol of Khmer art. Some bronze works, such as divine statuettes, show incredible craftsmanship.
The Four Faces of the Bodhisattva Avalokiteśvara - Bayon of Angkor
Bust of Vishnu Anantashayin, Angkor (West Mebon), second half of the eleventh century,
bronze gilded with mercury, silver, lead, cinnabar – provenance: Siem Reap province, Cambodia
– Source: Guimet Museum.
Pagoda frescoes, such as at Wat Bo in Siem Reap, Wat Ounalom in Phnom Penh or Wat Kompong Tralach Leu, tell the story of the life of Buddha or the tales of Jataka. Painted in red, gold and blue, they are overflowing with symbols: the lotus for purity, the naga for protection.
Unfortunately, many were destroyed under the Khmer Rouge, but those of the Silver Pagoda in Phnom Penh remain dazzling. These works, whether sculpted or painted, are acts of faith, often blessed by monks for good luck.
The panel shows Rama shooting the Phrommat
arrow that slices off Kumbhakarna's head, freeing his soul to the sky.
Recommendations:
The National Museum in Phnom Penh, with its 14,000 objects, tells you about Khmer history, from pre-Angkorian sculptures to rare ceramics. Its lotus courtyard is perfect for a contemplative break.
Performing arts
Khmer art is also movement and sound: a dancer who tells a legend, a drum that makes a festival vibrate, a puppet that comes to life under the light.
Robam Apsara
The Robam Apsara dance, recognized by UNESCO in 2008, was born under Suryavarman II in the twelfth century. Inspired by the bas-reliefs of Angkor, it features dancers dressed in embroidered silk and golden headdresses. Their gestures, called mudras, are like words: a fold of the fingers tells of divine love, an inclination of the head evokes a god. Once reserved for royal palaces, this dance has spread to Cambodia and even Thailand.
In Siem Reap, venues such as the White Lotus Restaurant, Temple Club offer traditional dinners, such as amokor lok lak, accompanied by Apsara dance performances.
Khon masks: faces of legends
Khon masks are an essential component of Khmer dramatic dances, especially in the Lakhon Khol, where they embody characters from the Reamker (Khmer version of the Ramayana). Made from papier-mâché or wood, these masks are hand-painted with bright colors and gold details. Each mask represents a specific character:
Hanuman, the warrior monkey, with his white face and expressive eyes.
Ravana, the ten-headed demon, often adorned with elaborate crowns.
Sita, the princess, with delicate features and inlaid jewels.
It's beautiful, isn't it?
Making a khon mask can take several weeks, involving specialized craftsmen who carefully carve, paint, and decorate each piece. These masks aren't just accessories; They are considered sacred and are often blessed before performances.
If you want to experience Lakhon Khol during your trip, head to the Sovanna Phum Theatre in Phnom Penh.
The Sbek Thom: shadow theatre
The Sbek Thom, or "great leather", is a Khmer shadow theatre recognised by UNESCO. Cowhide puppets, sometimes large (up to 2 meters), are manipulated behind a lit screen to narrate episodes of the Reamker. Each puppet is a work of art in itself, hand-carved with intricate patterns:
Divine figures wear crowns and halos.
Demons have terrifying faces with fangs and bulging eyes.
Animals, such as monkeys or birds, are stylized with fine details.
A pin peat orchestra and narrators weave the story while the puppets,
placed behind a white screen lit by firelight, cast striking shadows.
It can take up to a month to make a puppet. Artisans drill hundreds of tiny holes in the leather to create floral motifs, flames or sacred symbols such as the lotus or naga. These puppets, animated by light, cast moving shadows that captivate the audience during the night shows.
InPhnom Penh, head to the Sovanna Phum Theatre for an intimate performance by Sbek Thom.
Khmer art in everyday life
Far from the majestic temples, Khmer art lives on in the simple gestures of Cambodians: a knotted scarf, a shaped jar, a song sung at a wedding. This art, both beautiful and useful, is everywhere, from bustling markets to peaceful villages.
Textiles and ceramics
The krama, the checkered scarf you'll see everywhere, is much more than a piece of fabric. Peasants use it as a turban, mothers as baby carriers, merchants as improvised bags. Each region has its own colours: red and white in Phnom Penh, blue and green in the rice fields.
In Khmer culture influenced by Hinduism, Krama, nicknamed "snake cloth",
is woven in honor of Vishnu and the Naga. Worn around the head,
it is believed to bring good luck and protection.
The ikat silk, woven with a technique where the threads are dyed before being knotted, is a masterpiece.
In Phum Seda, near Siem Reap, weavers create lotus or naga patterns for ceremonial clothing. These fabrics, passed down from generation to generation, carry the history of families. Khmer textiles, which date from the first century, show how ancient this art is.
Cambodian ikat silk has an ancient history, linked to the Khmer Empire,
and was once considered one of the most beautiful silks in the world.
Crafts: wood, silver and kites
The wooden carvings on the doors of pagodas or domestic altars are decorated with lotuses or nagas. Jewelry made of chased silver, with dragon or flower motifs, shines at weddings or Buddhist rituals. And then there are kites, a playful tradition that colors the skies during the holidays. Shaped into birds or nagas, they dance in the wind, reminiscent of the childhood games of the Khmers.
Less known than dance or sculpture, Khmer martial arts are nevertheless anchored in the history of Cambodia. The bokator, one of the oldest, already appears in the bas-reliefs of Angkor. Inspired by animal postures and imbued with spirituality, her movements combine grace and power. Today, several schools in Siem Reap offer captivating demonstrations, where you can discover an art that is both spectacular and deeply rooted in Khmer culture.
Martial arts reflect history.
Khmer art in costumes
Traditional Khmer costumes represent a refined art, rooted in the history, spirituality and aesthetics of the Cambodian people. Each outfit tells the story of a know-how passed down from generation to generation.
Women's costume
The sampot, a long silk or cotton skirt, is elegantly draped and held in place by a chiseled metal belt. Woven or embroidered motifs, such as the lotus or the naga, refer to Hindu mythology. The fitted bodice called av pak, decorated with beads or fine embroidery, highlights Khmer textile art. During Apsara dances, dancers wear a golden pagoda-shaped headdress, a symbol of the sacred Mount Meru.
Men's Costume
Men wear the sampot sarabap, a short and practical version of the sampot, often made of cotton. For special occasions, they add a silk jacket adorned with embroidery and a krama tied around the head or waist. The motifs evoke religious influences and the balance between tradition and elegance.
Jewelry & Accessories
Bracelets, necklaces, earrings or belts made of precious metal are finely crafted and sometimes inlaid with stones. They are not only decorative but loaded with symbolic value, bringing good luck and protection.
Princess Buppha Devi
🤵👰 Good to know: Khmer weddings
For three days, families sing, dance, and perform rituals, such as the tea ceremony where the bride and groom honor their ancestors. Guests wear ikat silk fabrics, and traditional songs fill the air. If you are lucky enough to be invited to a rural wedding, you will have an unforgettable moment.
Khmer Art Today: Renaissance and Audacity
Emerging from the silence imposed by the Khmer Rouge, Cambodian art is being reborn with poignant force. Artists like Vann Nath, a survivor of Camp S21, used paint as a testimony. His paintings exhibited at the Tuol Sleng Museum are charged with pain, but also with a fierce desire for memory and resilience.
Vann Nath's strikingly realistic paintings plunge the viewer
into the unspeakable horror of the crimes perpetrated at S-21 prison.
Each brushstroke revives deep suffering, giving way to silence, emotion and indignation.
Today, a new generation of Cambodian artists is reinventing their heritage. Sopheap Pich fashions bamboo Apsaras that are on display all the way to the MoMA. Eric Raisina transforms ikat silk into haute couture creations in Paris.
In Siem Reap, the Romeet Gallery blends the legacy of Angkor with a contemporary aesthetic. In Phnom Penh, the Bophana Center, founded by Rithy Panh, explores collective memory through films and archives. The Sra'Art collective gives a voice to young artists who address themes such as identity, society or the environment. Painting, photography, installations, urban art, the current Cambodian scene is multiple, lively and daring.
Our Final Words
Khmer art is more than a heritage: it is a history that continues to breathe. In the stones of Angkor, the Apsara dances, the woven kramas, the drums of Ok Om Bok, the words of Khmer or the fights of bokator, you find the soul of a people. It's not just to see, it's to live
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